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Saturday
Feb182012

FCPX cuts on time with latest client video.

I wanted to share with you where I think FCPX really shines. I had recently been hired by a client to shoot a promo video for his site. Everytime I shoot for him I have a very fast turnaround time. It usually consists of a 2-3 hour shoot and then getting a final edit finished the next day per request. This time the turnaround time was not so demanding so I dicided to give FCPX a try and time it to see just how much time I could save knowing if there were any problems I would have more time to adjust. In the past the total time to complete the edit with very minimal effects would take around 6-7 hours with all the transcoding, syncing audio, or whatever was required to finish the video. This time around I used FCPX and was able to finish it with effects, titles, transcoding, and final render in 4 hours! Total time of shoot and edit was 5 hours! This is a huge plus for me. One of the downfalls I had to experience on using FCPX was not having a denoiser as the shots were very low light, but that aside this was one of the smoothest and fastest editing experiences I had with this client. It will be a matter of time before the proper tools come with FCPX. Time saved is money earned.

Friday
Feb032012

YouTube Your Film Festival

Well it's been a while since I posted on my blog but there is news of the YouTube film festival that just showed up. Looks like it is time to write a story and make it happen. This time I'm going to post the progress of the film every step of the way on this site. There isn't a lot of time to do this especially in between my work but I'm used to tight deadlines. This is going to be a stiff competition for sure. Stay tuned for updates and all the behind the scenes footage on how I make this short from start to finish.
http://www.youtube.com/yourfilmfestival

Thursday
Dec012011

Creating Soundtracks On The iPhone

So after getting a couple of apps on the iPhone called Nanostudio and ThumbJam I realized that you could technically make all your soundtracks on the iPhone. Of course you would want something a little more robust for a feature but there is more to it I think. So say I am on the road and I have an idea for a scene in my head. I can jot down the idea in the iPhone, create a storyboard, and even come up with a score idea right where I am. Then I take my MIDI tracks over to my Macbook Pro and go from there! There is a lot of power in that. So as an example here is a track I made thinking about a Sci-Fi script I am currently working on. I started to work on it yesterday and finished it up today, all while laying in bed or on the couch.

This is HUGE when you have an idea spring up and have to get it down as fast as possible. This opens up a whole new world for creating things like Robert Rodriguez says "Creating at the speed of thought".

Friday
Nov112011

Remote Control Death Car (Fake Grindhouse Trailer)

Remote Control Death Car (Fake Grindhouse Trailer) from Justin Demeere on Vimeo.

A fake grindhouse trailer written, shot, and edited in 24 hours for the Knoxville 24 Hour Film Festival.

3 Elements were given at the kickoff -
Prop: Remote Control
Scene: Knoxville Sunsphere
Dialogue: "I remember the first time I went to jail"

Winner of 2 awards at the festival: Judges Award and Most Horrific Film

cast:
Midori Mcphetridge
Bow Morton
Wayne Nichols
Kenny O'Day
Kevin Woods
Matt McMillan
Justin Demeere

written, shot, edited, visual fx, narrated by
Justin Demeere

Thursday
Nov102011

Room 222

Room 222 from Justin Demeere on Vimeo.

Winner for Best Cinematography and Best Use Of Elements (Secret City Film Festiva), Best Romance (Maryville Film Festival)

Created for the Secret City Film Festival's 7 Day Shootout competition.

7 Days to write, shoot, edit a short 7 minute film.
Elements given:
Genre - Drama
Prop - Fan
Dialogue - "The secret is out."
Visual Element - The number 22

Cast:
Al Wong
Jamie Lee Rathert
Karen Hon
Zane Triplett
Ken Zhai
Philip Cheung

Writer, Director, Cinematographer, Editor:
Justin Demeere

Production Notes:
Written in an hour, 3 days to find cast and locations, 1 day lost from losing cast member and finding replacement, 9 hours to shoot, and 2 days to edit.

The interiors were lit with a 1K Arri and bounce.

The bartender, Zane Triplett, was the actual bartender for the club.

The extra, Ken Zhai, was the voice of the narrator as he could speak Cantonese.

In cantonese Ken actually says 22, not 222, didn't inform him of script changes.

Equipment:
GH13, Nikon Nikkor 50mm f/1.8, Elgeet c-mount 13mm f/1.5 (for the fan shot), One 1K Arri light, H4N, NTG-2